Rediscovering Art by Women

Aube Elléouët Breton (B.1935)

L’Attelage Effrayé par un Oiseau

, 1965

L’Attelage Effrayé par un Oiseau (c.1970) is a remarkable work by overlooked collage artist and daughter of André Breton and Jacqueline Lamba, Aube Elléouët-Breton (b.1935). Dating to the 1970s, this collage demonstrates that Surrealism’s second generation retained the same ability to create striking motifs to rival those of earlier incarnations.

H31cm

x W27cm

Signed

Aube Elléouët Breton (B.1935)

Aube Elléouët-Breton was born in Paris, December 20, 1935. Her mother was Jacqueline Lamba, a painter and her father, André Breton, the writer and founder of Surrealism. In 1943 she stayed for one year with her mother at Frida Kahlo's house in Mexico. Since the early 1970s, Aube Elléouët-Breton devoted more and more time to the art of collage, exhibiting them in France and internationally. Her work is included in private and museum collections, including the Musée d'Art Moderne de la Ville de Paris among others. Even though Aube's collages encompass a surrealist spirit, she developed her own distinct artistic language, often addressing issues such as ecology and feminism in her work.

Artworks by the same artist

Aube Elléouët Breton (B.1935)

L’Attelage Effrayé par un Oiseau

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“The archetype of the mother in society is the perfect woman; pure, good, chaste, holy, your use as a woman is to be a mother. We put mothers on pedestals as these untouchable vessels, something to be protected at all costs. It’s a dehumanising reverence. So to take that and to fuck with that, to give that archetype agency and sexuality and humanity and desire and especially the “wrong” kind of desire is to degrade it in lots of peoples eyes. Which is exactly where the fascination with this exploration comes…”

Head to the RAW + blog page now if you haven’t read our interview with @vextape founder of @fourchambers on new feature film ‘Maman pt. II’ with @feralmommy @fopk666 @half.bird

#mommies #mommy #fourchambers #filmmakers #womeninart #womenartists #queerart #rawblog #rediscoveringartbywomen

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THIS WEEK IN RAW…

We look at motherhood in all it’s multi-faceted forms…with @vextape & @maisiecousins

Head over to the RAW + blog page now!

#motherhood #mommy #contemporaryart #photography #film #35mm #rawblog #artblog #contemporaryartblog #rawcollection #rediscoveringartbywomen #modernart #feministart #artbywomen #radicalart #pleasurepolitics

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Secret courtyards, unexpected green spaces and sprawling, public gardens; this is the theme of a beautiful new exhibition - ´FINDING THE MODERN BRITISH GARDEN’ - which opens tonight @gardenmuseum

🌸 Interwar Britain saw a flowering of artists who retreated to planting and painting in their gardens – creating their own private havens.

🌸 Discover works by a multitude of women artists, including #ithellcolquhoun #marionadnams #evelyndunbar #maryadshead and many more!

🗣️ “In the shadow of WW2, Evelyn Dunbar wrote: “There has never been a time in the history of the world when we have more definitely and more deeply needed our gardens. We are living in an odd, spiritless time of confusion;
we have lost our vision and I feel that one of the best ways to get back to a sense of basic spiritual security in life is to work more and more in the earth “. Words that still resonate today 💕

🖼️ Evelyn Dunbar - ‘Invitation to the Garden’ 1938

#gardendesign #womenart #nature

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To celebrate their collaboration with the dazzling 93-year-old Japanese artist Yayoi Kusama, @louisvuitton has installed a giant statue of her in-front of their store in rue de la Monnaie in Paris as well as creating a fantastic window display (swipe ⬅️)

🎨 Known for her exacting approach, Kusama has worked across the conceptual, feminist, minimalist, surrealist, pop and abstract art movements since her first appearance on the scene in the 1950s.

🔵🔴 The Vuitton collaboration encompasses Kusama’s “infinity dots” and metal dots first introduced in 1966, along with floral and pumpkin 🎃 motifs.

🖌️🎨 One of the most famous women artists of today, Kusama’s use of bright colours and bold patterns transfers brilliantly onto fashion items.

@yayoikusama_ @kusama_archive @yayoikusamamuseum #publicart #statue @samaritaineparis #louisvuitton

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❣️ Swipe 👈🏼 to see my portrait by @susannedutoit2353 ❣️
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♥️ I feel so honoured to be part of the exciting 'Painting Women Writers' series and to have been invited by @eiderdownbooks to contribute an "introductory essay" to the new book celebrating the portraits. ⁠
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♥️ Sitting for my portrait was a really special experience - and it was a revelation to find that I could sit still for more than a minute!!! Susanne put me so at ease, and we found that we had so much to talk about and so many shared interests. ⁠
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♥️ The series of 20 portraits will be displayed @theLondonLibrary Literary Festival in April before touring to @Farleyshg later in the year.⁠
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♥️ Do pre-order the beautiful book from the website of @eiderdownbooks as it not only reproduces all of the portraits but also the preliminary sketches to show Susanne's working process. As well as my introduction, there is a foreword on portraiture by @Jeanette_Winterson and contributions on the experience of being a sitter from the writers including @clover.stroud @dollyalderton @irenosenokojie @boycottrosie @pascalepetitpoet @dredasaymitchell and others. ⁠
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#paintingwomenwriters #susannedutoit #eiderdownbooks #femaleauthors #femaleartists #femaleportraits #jeanettewinterson #rediscoveringartbywomen #limitededition

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NEW ACQUISITION ALERT 🔔

🙀 Jane Graverol (1905 - 1984) - Les Belles Vacances, 1964

🐚 As a child, Graverol loved wandering through the Royal Belgian Institute for Natural Sciences, and during the 1950s and 60s, she became fascinated by zooplankton – especially radiolaria and rotifers (microscopic aquatic animals) with radiating pseudopodia. Having long celebrated the androgyny and hermaphroditism of fantastical creatures in her paintings, such as ‘The School of Vanity’ (1967), Graverol was particularly inspired by the unicellular and non-motile aspect of these aquatic creatures. Les Belles Vacances depicts a bdelloid rotifer, which reproduce exclusively by parthenogenesis, a form of asexual reproduction where embryos grow and develop without the need for fertilization…

🧜🏻‍♀️ View it on the RAW artworks page now!

#janegraverol #surrealist #masterpiece #newacquisition #rawcollection #surrealistcollection #rawblog #graverol #plankton #surrealism

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Did you read @vextape’s artist spotlight on Cosey Fanni Tutti for the RAW + blog?

🗣️ Her name came from the Italian opera ‘Cosi Fan Tutte’ meaning “That’s What All Women Do” and her position as often the only woman in male-dominated cliques, shows and bands was unquestionably groundbreaking but she rejected identifying with the feminist movement of the 70’s – “It didn’t speak for me or the diverse and complex nature of women. I was a free spirit and didn’t want yet more rules and guilt thrown at me about my actions”

#coseyfannitutti #vexashley #rawblog #rawcollection #modernart #womenartists #feministart #artistspotlight #throbbinggristle #hull #erótica #artblog #knowyourart #blogging #rediscoveringartbywomen

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Rediscovering Art by Women

Aube Elléouët Breton (B.1935)

L’Attelage Effrayé par un Oiseau

Aube Elléouët Breton (B.1935)

Artworks by the same artist

L’Attelage Effrayé par un Oiseau

Latest Posts

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