Bona de Mandiargues (1926-2000) studied at the Beaux-Arts in Modena and then at the Beaux-Arts in Venice where her uncle Filippo de Pisis lived. Her career as a painter began after her marriage to André Pieyre de Mandiargues in 1950 where upon her arrival in France, she met the surrealist group. She exhibited in Paris at Berggruen Gallery, in 1952, with Francis Ponge writing the preface to the catalogue; Octavio Paz, a Mexican poet and diplomat was a big supporter of her work, especially of the group she exhibited in Mexico City in 1959. She also participated in various surrealist exhibitions including "E.R.O.S." at Galerie Daniel Cordier, Paris (1959).
"Bona paints in a state of distraction conducive to lucidity, and it is undoubtedly through painting that she finds the long-forgotten path. She paints without knowing exactly what, or why, not as one breathes, but as one walks around blindly in an apartment where darkness falls, after sundown.... She looks at the present time with a certain mocking smile, in which one can guess her secret admiration for all that is inexplicable."
Alain Jouffroy, extract from the catalogue of the exhibition "Bona - Colimaçonneries", Galerie de Seine, Paris, 1974